I make a typo at least once paragraph but how on earth did this typo from American Psycho’s famous business card scene not get notice? Can you spot the typo?
Mobile Kino is run by Fernando Huerta and myself, Joshua Alas. Together we create the programs and organise the events. There’s a lot of hard work that goes into setting up a one night only cinema. Particularly its difficult transporting cinema equipment like our big movie screen. We had big plans for the coming summer so we started searching markets, ebay and craigslist for a transport bike to help us during the open air season. We found a great cargo bike that was in our price range but was located just outside of Hamburg. After winning the ebay auction we took the train to meet the couple selling the bike using a Brandenburg ticket. Our plan was to navigate the regional trains and squeeze the bike in on the trip back to Berlin. With a lot of effort and annoyed passengers we managed to fit the cargo bike on all three regional trains during the four hour trip home.
After a revamp to the front box and a paint job we had the designer who created our logo paint the sides. Daddison has a history of helping Mobile Kino by loaning us his skills and talent. When we were first getting started he created an amazing poster template and logo that we have used ever since. The Mobile Kino is now complete so keep your eyes open for our mobile cinema passing through your neighbourhood soon.
Posted By: Joshua
I just lugged this 35mm print of ‘In weiter Ferne, so nah!’ down two flights of stairs, around the BABYLON via the sidewalk to the studio kino and then up a three level spiral stare case to the projection room. Its hard work but my god 35mm film has so much character on the screen. The Babylon pay tribute to the late Otto Sander with screenings of ‘Der Himmel über Berlin’ and the sequel ‘In weiter Ferne, so nah!’
Check out the website for session times.
Preparing for a tracking shot on the set of Inherent Vice. I love these long continuous takes and Paul Thomas Anderson is a true master.
Posted by: Joshua
Many talented directors found their path to success through the help of a short film. Feature films and long scripts by unknown, forgettable names are hard to get noticed and financially backed by production companies. Some of the biggest directors today first made a ripple by showing the world their point of view through a short film.
Wes Anderson and Owen Wilson met as screenwriting students at the University of Texas. After graduating the two friends became roommates and started what was to become a long and successful writing partnership. The pair co-wrote a 13min black and white film called “Bottle Rocket” which was selected to screen at a Dallas film festival. The short was later selected to be included in the Sundance Film Festival and started the careers of two amazing talents. After receiving mixed reviews the short film gained the attention of James L. Brooks. Interested in elements of the film, but particularly the style of subtle humour, he helped by financially backing the short to be made into a full length feature.
On the other side of the globe two directors share a similar story of success through the help of a short film and in the process totally revitalised a genre. James Wan and Leigh Whannell are the creators behind the horror film series “Saw”. Love it or hate it, Saw and these two friends put horror films back on the map. Only two days into the hugely successful release of the first Saw film, Liongate Pictures green lit the sequel. Saw is now 7 films deep and inspired many copies with similar shock and gore. The directors are included in a group of filmmakers given the name “The Splatpack”.
Before it all happened these two film makers mustered together all the resources they had, took one scene from their feature length script, rewrote it as a short film and headed to Hollywood to pitch the idea to anyone who would listen. The unique idea sparked interest and was given the green light. One million dollars and 18 days were all they needed to complete the feature. The original Saw went on to gross over 100million dollars.
Mike Judge created the animated character of Milton in 1991 with a series of shorts called Office Space. The films appeared on Saturday Night Live in the 90s with Judge supplying the voice of Milton himself. When the character was included in the Office Space feature the role was played by the Stephen Root pictured below.
As a student Jared Hess produced a 9min 16mm black-and-white short called “Peluca.” The film was apart of an assignment while studying at Brigham Young University. The film was later adapted into a feature “Napoleon Dynamite”.
Paul Thomas Anderson was only 17 when he made his first film. The 30min documentary styled short was edited using two VCRs. After his success Anderson remade the short into the feature film Boggie Nights.
I gained my love of film at an early age. During my High School years
my first job was as an usher at the local cinema. I would rip tickets
and clean up popcorn and wander from cinema to cinema collecting
snippets of memories from different scenes from every film we played.
After the shift I would head up to the projection room and learn the
tricks of the trade from the projectionist. He taught me everything
there is to know about 35mm projection. When I graduated High School I
moved to the nearest big city and found work as projectionist while
failing to study.
Working as a projectionist has its ups and downs. Eight hour shifts
are spent alone in the small, dark projection room with only the
constant murmurs from the projectors to keep you company. Unless
you’re Tyler Durden and have 35mm porn available to splice into family
films the job is actually quite boring. The upsides come though when
the movies have finished and the patrons have gone home leaving you as
the only person in the building. With a whole cinema and bar at my
disposal and the entire catalogue of films to chose from I would
routinely host private screenings. With the front doors locked and the
lights turned out I would sit alone or with selected friends while
watching any film I chose. Night after night, to all hours of the
morning I would watch every film that came through the cinema program.
It was during this time when I first saw my favourite film and this
week’s Mobile Kino feature. The Life Aquatic with Steve Zissou.
Bill Murray as Steve Zissou instantly made me smile and I was hooked.
During the first screening I had many friends and fellow Wes Anderson
fans joining me for the after hour viewing. I loved the film so much
that I invited everybody back the following night for a repeat
screening. Night after night I locked the front doors, laced up the
35mm projector, popped a bottle of wine and screened the
oceanographers bizzar adventures. After the third screening I found
myself alone. I didn’t care, I watched it until the film was riddled
with over-usage scratches. It only gave the movie more character.
Alone or with your company, I will again screen The Life Aquatic for
this week’s Mobile Kino.
This is an open call for submissions to the next Berlin Film Night.
GO to the submissions page to submit your film!